This photo pays respect to my roots in Hong Kong and the brilliant filmmaker, Wong Kar-Wai. In the sultry ambiance of 1960s Hong Kong, this photo evokes a scene reminiscent of Wong Kar-Wai’s "In the Mood for Love." The subject, a woman draped in a richly patterned cheongsam of vibrant reds and lush florals, stands as a solitary figure amidst a backdrop that blurs the line between reality and reflection. The vivid wallpaper, alive with florid designs, seems almost to engulf her, mirroring the complexity and entrapment of her emotions. Her gaze is distant, suggesting a narrative of longing and solitude amid the city's bustling life. The intimate framing and deep colors intensify her isolation, encapsulating the quiet desperation of unrequited love in a culturally rich era. This image blends visual splendor with introspective loneliness, capturing the essence of Wong's cinematic style.